High Quality Filler

My brain is empty so, for your amusement, here is an excerpt from an old favorite, "This Side of Paradise." Please enjoy. (By the bye, it has been two months now since I started this thing...)

Young Irony

Amory was bored, as he usually was in the country. He used to go for far walks by himself—and wander along reciting "Ulalume" to the corn-fields, and congratulating Poe for drinking himself to death in that atmosphere of smiling complacency.

A passing storm decided to break out, and to his great impatience the sky grew black as pitch and the rain began to splatter down through the trees, become suddenly furtive and ghostly. Thunder rolled with menacing crashes up the valley and scattered through the woods in intermittent batteries. He stumbled blindly on, hunting for a way out, and finally, through webs of twisted branches, caught sight of a rift in the trees where the unbroken lightning showed open country.

Suddenly a strange sound fell on his ears. It was a song, in a low, husky voice, a girl's voice, and whoever was singing was very close to him. A year before he might have laughed, or trembled; but in his restless mood he only stood and listened while the words sank into his consciousness:

"Les sanglots longs

Des violons
De l'automne

Blessent mon coeur

D'une langueur
Monotone."

The lightning split the sky, but the song went on without a quaver. The girl was evidently in the field and the voice seemed to come vaguely from a haystack about twenty feet in front of him.
Then it ceased; ceased and began again in a weird chant that soared and hung and fell and blended with the rain:

" Tout suffocant

Et bleme quand
Sonne I'heure

Je me souviens

Des jours anciens
Et je pleure. ..."

"Who the devil is there in Ramilly County," muttered Amory aloud, "who would deliver Verlaine in an extemporaneous tune to a soaking haystack?"

"Somebody's there!" cried the voice unalarmed. "Who are you?—Manfred, St. Christopher, or Queen Victoria?"

"I'm Don Juan!" Amory shouted on impulse, raising his voice above the noise of the rain and lie wind.

A delighted shriek came from the haystack.

"I know who you are—you're the blond boy that likes 'Ulalume'—I recognize your voice."

"How do I get up ? " he cried from the foot of the haystack, whither he had arrived, dripping wet. A head appeared over the edge—it was so dark that Amory could just make out a patch of damp hair and two eyes that gleamed like a cat's.

"Run back!" came the voice, "and jump and I'll catch your hand—no, not there—on the other side."

He followed directions and as he sprawled up the side, knee-deep in hay, a small, white hand reached out, gripped his, and helped him onto the top.

"I have just made a great decision," said Eleanor after another pause, "and that is why I'm here, to answer another of your questions. I have just decided that I don't believe in immortality."

"Really! how banal!"

"Frightfully so," she answered, "but depressing with a stale, sickly depression, nevertheless. I came out here to get wet—like a wet hen; wet hens always have great clarity of mind," she concluded.

"Go on," Amory said politely.

"Well—I'm not afraid of the dark, so I put on my slicker and rubber boots and came out. You see I was always afraid, before, to say I didn't believe in God— because the lightning might strike me—but here I am and it hasn't, of course, but the main point is that this time I wasn't any more afraid of it than I had been when I was a Christian Scientist, like I was last year. So now I know I'm a materialist and I was fraternizing with the hay when you came out and stood by the Woods, scared to death."

"Why, you little wretch—" cried Amory indignantly. "Scared of what?"

"Yourself!" she shouted, and he jumped. She clapped her hands and laughed. "See—see! Conscience—kill it like me! Eleanor Savage, materiologist—no jumping, no starting, come early "

"But I have to have a soul," he objected. "I can't be rational—and I won't be molecular."

She leaned toward him, her burning eyes never leaving his own and whispered with a sort of romantic finality:
"I thought so, Juan, I feared so—you're sentimental. You're not like me. I'm a romantic little materialist."

"I'm not sentimental—I'm as romantic as you are. The idea, you know, is that the sentimental person thinks things will last—the romantic person has a desperate confidence that they won't." (This was an ancient distinction of Amory's.)

"Epigrams. I'm going home," she said sadly. "Let's get off the haystack and walk to the cross-roads."

They slowly descended from their perch. She would not let him help her down and motioning him away arrived in a graceful lump in the soft mud where she sat for an instant, laughing at herself.