Life is the thing that repeats itself. I think that I have been broken, blown and burned but there I am, doing the exact same thing over again but thinking it to be different until it turns out not to be, again. And again, and again.
Have I ever mentioned that women are confusing? And that they distract one from one's work? Bother.
I hate the month of July.
Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts
07 July 2010
14 February 2010
What I Want to Be When I Grow Up
I did know what I wanted to do when I grew up way back when I was still thirteen. Then I grew up and for so many reasons, it didn't work out. I gave up on it completely when I was 24 and have spent the past five years trying to figure out what else I want to be when I grow up. I think I have settled it.
When I grow up, I want to be a peripatetic metaphysical philosopher-poet. Peripatetic because the Parapatetics wandered around the different Greek city states teaching philosophy to the citizen youth and I have this sneaking feeling that I will continue wandering around the western nation-states. Philosopher because I will be teaching it (parapatetically) and I also don't think I can stop and I like it. Metaphysical because one has to specialise, and publish or perish! Poet because it is otherwise very, very hard to write metaphysics and I like poetry and I like to sing. I also like the metaphysical poets.
I think that it is one of the delightful occupational hazards of loving the study of ancient Greek that one would look to its culture in order to pick out one's career path. I'm not sure that I would want to change that even if I could and besides, it will make my newsagent into a soothsayer and who doesn't want a soothsayer to be their newsagent?
It does make things seem clearer. Teach, talk, sing and write, wander. I tend to do these things; now I need to figure out how to do these things with people and have them exchange money for it. I have a concrete plan in mind already.
The haze is clearing.
When I grow up, I want to be a peripatetic metaphysical philosopher-poet. Peripatetic because the Parapatetics wandered around the different Greek city states teaching philosophy to the citizen youth and I have this sneaking feeling that I will continue wandering around the western nation-states. Philosopher because I will be teaching it (parapatetically) and I also don't think I can stop and I like it. Metaphysical because one has to specialise, and publish or perish! Poet because it is otherwise very, very hard to write metaphysics and I like poetry and I like to sing. I also like the metaphysical poets.
I think that it is one of the delightful occupational hazards of loving the study of ancient Greek that one would look to its culture in order to pick out one's career path. I'm not sure that I would want to change that even if I could and besides, it will make my newsagent into a soothsayer and who doesn't want a soothsayer to be their newsagent?
It does make things seem clearer. Teach, talk, sing and write, wander. I tend to do these things; now I need to figure out how to do these things with people and have them exchange money for it. I have a concrete plan in mind already.
The haze is clearing.
Labels:
capitalism,
Greek,
moving,
music,
personhood,
Philosophy,
poetry,
working
21 November 2009
The Benthamite Utility Monster is Eating My Claims About Art: Help!
Last night I went to the ROH for the first time since moving back here, which was a thrill. I have missed it! It was only to go the Linbury Studio Theatre but any disappointment I might have felt at not getting in to see the main house was more than mitigated by the fact that I was there to see an old school friend of mine who had had some of his work commissioned for the ROH Firsts 09 season. The programme was a mixed bag but that's what happens with series like that.
Unbelievably, I have not even made it to the Tate Modern (easy enough walking distance from university) nor the National Gallery (ten minutes walk, if that far) since I got back here. No art, when that was one of the things I had most looked forward to having back. I have been just a little bit busy for some reason...but still.
I feel a lot better today than I have for a couple of weeks and I blame that entirely on my theatre excursion. I have for years realised that studying ballet was what got me through all the depression I had in high school, and that singing at church and working at the gallery have been a mainstay for me over the past few years. Nevertheless, I was genuinely surprised at how much better I felt last night. Art, it seems, is actively good for me. At the moment, I would say that it helps as much as klonopin does, though I wouldn't vouch for that being true if I were really in the depths.
I have generally been against the idea that art has or ought to have a utility value on the grounds that art works are not fungible in any meaningful way and utility values function off of a notion of exchangibility, which implies price and thus that art should be wholly a means rather than an end in itself*, so I worry about making a medicinal utility claim about it. However, I don't think that such a claim harms the dignity of an individual art work if I restrict the claim to art as a species of human activity and the end to which I make a claim that art is a means is an occultly achieved human end that art can achieve as a generality. I don't know; that's still a bit Benthamite. However, I do not make this claim universally: I imagine that there are others for whom the football or foreign language study or collecting match boxes achieves much the same end when art would not do the same. Actually, though, that is Benthamite ('pushpin is equal to poetry'). Oh dear. The dangers of making any claim to utility!
I need to have a think about this, but for now I shall just say hurrah for Art and hurrah for feeling better. At least for today, that has priority to philosophy.
*This is part of the good remains of the time I spent as a devout deontologist and secular humanist.
Unbelievably, I have not even made it to the Tate Modern (easy enough walking distance from university) nor the National Gallery (ten minutes walk, if that far) since I got back here. No art, when that was one of the things I had most looked forward to having back. I have been just a little bit busy for some reason...but still.
I feel a lot better today than I have for a couple of weeks and I blame that entirely on my theatre excursion. I have for years realised that studying ballet was what got me through all the depression I had in high school, and that singing at church and working at the gallery have been a mainstay for me over the past few years. Nevertheless, I was genuinely surprised at how much better I felt last night. Art, it seems, is actively good for me. At the moment, I would say that it helps as much as klonopin does, though I wouldn't vouch for that being true if I were really in the depths.
I have generally been against the idea that art has or ought to have a utility value on the grounds that art works are not fungible in any meaningful way and utility values function off of a notion of exchangibility, which implies price and thus that art should be wholly a means rather than an end in itself*, so I worry about making a medicinal utility claim about it. However, I don't think that such a claim harms the dignity of an individual art work if I restrict the claim to art as a species of human activity and the end to which I make a claim that art is a means is an occultly achieved human end that art can achieve as a generality. I don't know; that's still a bit Benthamite. However, I do not make this claim universally: I imagine that there are others for whom the football or foreign language study or collecting match boxes achieves much the same end when art would not do the same. Actually, though, that is Benthamite ('pushpin is equal to poetry'). Oh dear. The dangers of making any claim to utility!
I need to have a think about this, but for now I shall just say hurrah for Art and hurrah for feeling better. At least for today, that has priority to philosophy.
*This is part of the good remains of the time I spent as a devout deontologist and secular humanist.
Labels:
Age of Reason,
anxiety,
arts,
capitalism,
church,
friends,
London,
music,
personhood,
Philosophy,
poetry
11 October 2009
Happy Ordinary Sunday
My newsagent just asked me whether I was a poet. Apparently, he thinks I look like one. I think that this is one of the nicest mistakes anyone has ever made about me. I like the idea that someone could mistake me for a poet. Between that, finding a good neighborhood church and the weekend newspapers, I'm having one of the nicest days I've had since I got to London.
23 July 2009
John Donne Sonnets XIV
Batter my heart, three person'd God; for, you
As yet but knocke, breathe, shine, and seeke to mend,
That I may rise, and stand, o'erthrow mee,'and bend
Your force, to breake, blowe, burn and make me new.
I, like an usurpt towne, to'another due,
Labour to'admit you, but Oh, to no end,
Reason your viceroy in mee, mee should defend,
But is captiv'd, and proves weake or untrue.
Yet dearly'I love you,'and would be loved faine,
But am betroth'd unto your enemie:
Divorce mee,'untie, or breake that knot againe,
Take mee to you, imprison mee, for I
Except you'enthrall mee, never shall be free,
Nor ever chast, except you ravish mee.
As yet but knocke, breathe, shine, and seeke to mend,
That I may rise, and stand, o'erthrow mee,'and bend
Your force, to breake, blowe, burn and make me new.
I, like an usurpt towne, to'another due,
Labour to'admit you, but Oh, to no end,
Reason your viceroy in mee, mee should defend,
But is captiv'd, and proves weake or untrue.
Yet dearly'I love you,'and would be loved faine,
But am betroth'd unto your enemie:
Divorce mee,'untie, or breake that knot againe,
Take mee to you, imprison mee, for I
Except you'enthrall mee, never shall be free,
Nor ever chast, except you ravish mee.
09 January 2009
Never again would birdsong be the same
I’ve been reading a rather interesting book: Mad, Bad and Sad, which was written by Lisa Appignanesi. The book is concerned with the evolution of psychology as a science and its relationship to women and vice versa. I haven’t finished it yet, so I can make no comment on the book as a whole but I was enchanted to learn that Virginia Woolf complained of hearing “birds singing Greek choruses, King Edward using foul language in the garden.”
I’m not so sure about King Edward (VII presumably?) but I really like the thought of hearing the birds singing Greek choruses. Obviously, that would be one thing if they were singing the Orestaia, but quite another if they were singing the chorus introducing Phaedra or the one about longing for escape from Hippolytus. I think that I would find those ones quite comforting.
But then perhaps I am a little odd in that.
(121-140)
There is a rock that drips, they say, with Ocean’s water,
where water is drawn up in pitchers
from its flowing cliffs:
there was a friend of mine soaking
russet robes
in the pure waters of the river,
stretching them across the warm backs
of the rocks in the kind sun: here
came first to me news of my mistress;
keeping her distressed body upon a bed of sickness
inside the house, fine cloth
covering her golden head:
I hear that it is now three days
that her mouth is unfed
and from Demeter’s
grain she has kept her pure body,
wishing, from a secret suffering,
to run aground at the terrible shore of death.
own translation
I’m not so sure about King Edward (VII presumably?) but I really like the thought of hearing the birds singing Greek choruses. Obviously, that would be one thing if they were singing the Orestaia, but quite another if they were singing the chorus introducing Phaedra or the one about longing for escape from Hippolytus. I think that I would find those ones quite comforting.
But then perhaps I am a little odd in that.
(732-751)
Would that I were hid within the hollows of a mountain,
there would a god fledge me into a bird
among the winged flocks:
that I might soar over
the sea waves
of the Adrian shore
and over the waters of Eridanos,
where in the dark-gleaming swell
wretched maidens,
lamenting Phaeton,
let tears fall
from bright amber eyes.
That I might reach journey’s end at the apple-planted shore
of the Hesperides, the singers, where the sea lord
of the red-dark shallows
gives no farther passage to sailors,
where strikes the awful boundary
of the firmament, which Atlas holds:
and divine springs flow
by the place Zeus lay,
where, bestowing gifts,
most sacred Earth
increases the blessings of the gods.
There is a rock that drips, they say, with Ocean’s water,
where water is drawn up in pitchers
from its flowing cliffs:
there was a friend of mine soaking
russet robes
in the pure waters of the river,
stretching them across the warm backs
of the rocks in the kind sun: here
came first to me news of my mistress;
keeping her distressed body upon a bed of sickness
inside the house, fine cloth
covering her golden head:
I hear that it is now three days
that her mouth is unfed
and from Demeter’s
grain she has kept her pure body,
wishing, from a secret suffering,
to run aground at the terrible shore of death.
own translation
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