A Few Changes

I'm supposed to be writing an essay, so instead I am going back and forth between this blog and facebook. Very useful of me.*

Moving and meeting up with old school friends (how is that the people I first met at fourteen have now known me more than half of my life?) has pushed me into thinking a bit more carefully about what I'm doing with my life. That's not quite accurate - I am quite happy about what I am doing this year and most of next. It's more that I have been confronted with my own and, what's stranger, other people's memories of what used to be my priorities. I'm now asking myself, and asking rather urgently, why I gave up so much that I loved.

I don't yet know whether this is just the common or garden variety of nearly thirty-ish angst that will slide back in to general content without much fuss or whether this is a prompting into a more genuine inquiry as to what exactly has happened in the past six years.

I have been worried about talking about myself too much on this blog and I have been attempting to write about what happens in my life in a generalised and universalisable manner. How well I have succeeded in that is questionable. That is really neither here nor there; my point is that I am going to stop doing it as a general rule because it feels false. I'm tired of falseness. I don't want to force myself into omission and elision. I'm not sure whether I want to continue with a pseudonym. I would never have done that in the past. I've been infected with fear of consequences and a desire for what will only ever be a rather spurious kind of respectability. After all, how respectable can one really be if one is periodically mad?

All this inner turmoil has prompted me to change things around a little here. I was planning to wait until the one year anniversary of this blog came around to make changes but I've done it now because I wanted to. I've changed my picture so that I'm now identifiable to anyone who knows me. That's as close as I'm going to come to getting rid of the pseudonym for the moment - that's as close as is comfortable right now.

I had to get rid of the green. It is my favourite colour but it needed to go. There was so much green in my old apartment and it made sense there but there is nothing green in my new one. I decided to do something different and go modern or, as I have dubbed it, 'plebian moderne'.** I had the cheap but older and pretty arts and crafts period furniture that one can so easily find down south. Here I've gone a little closer to derivative Bauhaus. This is not to imply that my blog ought to match my flat: I'm just tired of looking at green things and have been purging them.

So, yes. I am just going to go ahead and write and not be so paranoid about rogue identifying details. I'm not going to worry about being egocentric because the way I have been writing about things has come to feel very stilted and I can't keep it up. If I sound self-involved, so be it. It would be better than the didactic, sing-song tone that leaks in so often. As I tell myself frequently, there is no point in doing things other than the way in which I would do them. I've hated myself for so long that I still don't believe that doing things the way that I would do them will ever be anything but a disaster, however trivial the act in question. I still don't believe that it's ever right to do what I actually want to do. I've been trying to trick myself into thinking otherwise for more than a year now with notably uneven results. I haven't given up.***

The idea of being honest and not pretending that I have greater equanimity than I actually do and that I am not as much of a mess as I actually am scares me. Nonetheless, here I go.
____________________________

*I do have a draft and two more days to finish it - I'm not always as useless as I make out.

**Yes, I am the kind of person who would come up with a name like that - unbelievable, isn't it? I am very prone to that slangy manner of talking about art, clothes and furniture. It's like a game for me. Scoring points with obscure references and that.+ Rather obnoxious, isn't it? Especially when one hasn't been drinking.

***And in writing about myself I may yet, like Charlotte Bartlett, reveal 'depths of strangeness, if not of meaning'. It is strange to worry about whether one is being selfish if one is the only person wanting to get off at one's home bus stop and to be daily relieved when somebody else rings the bell first. That's something I do, every single day.
____________________________

+Speaking of which, nota bene the quotation in footnote three.

John Donne Sonnets XIV

Batter my heart, three person'd God; for, you
As yet but knocke, breathe, shine, and seeke to mend,
That I may rise, and stand, o'erthrow mee,'and bend
Your force, to breake, blowe, burn and make me new.
I, like an usurpt towne, to'another due,
Labour to'admit you, but Oh, to no end,
Reason your viceroy in mee, mee should defend,
But is captiv'd, and proves weake or untrue.
Yet dearly'I love you,'and would be loved faine,
But am betroth'd unto your enemie:
Divorce mee,'untie, or breake that knot againe,
Take mee to you, imprison mee, for I
Except you'enthrall mee, never shall be free,
Nor ever chast, except you ravish mee.

High Quality Filler

My brain is empty so, for your amusement, here is an excerpt from an old favorite, "This Side of Paradise." Please enjoy. (By the bye, it has been two months now since I started this thing...)

Young Irony

Amory was bored, as he usually was in the country. He used to go for far walks by himself—and wander along reciting "Ulalume" to the corn-fields, and congratulating Poe for drinking himself to death in that atmosphere of smiling complacency.

A passing storm decided to break out, and to his great impatience the sky grew black as pitch and the rain began to splatter down through the trees, become suddenly furtive and ghostly. Thunder rolled with menacing crashes up the valley and scattered through the woods in intermittent batteries. He stumbled blindly on, hunting for a way out, and finally, through webs of twisted branches, caught sight of a rift in the trees where the unbroken lightning showed open country.

Suddenly a strange sound fell on his ears. It was a song, in a low, husky voice, a girl's voice, and whoever was singing was very close to him. A year before he might have laughed, or trembled; but in his restless mood he only stood and listened while the words sank into his consciousness:

"Les sanglots longs

Des violons
De l'automne

Blessent mon coeur

D'une langueur
Monotone."

The lightning split the sky, but the song went on without a quaver. The girl was evidently in the field and the voice seemed to come vaguely from a haystack about twenty feet in front of him.
Then it ceased; ceased and began again in a weird chant that soared and hung and fell and blended with the rain:

" Tout suffocant

Et bleme quand
Sonne I'heure

Je me souviens

Des jours anciens
Et je pleure. ..."

"Who the devil is there in Ramilly County," muttered Amory aloud, "who would deliver Verlaine in an extemporaneous tune to a soaking haystack?"

"Somebody's there!" cried the voice unalarmed. "Who are you?—Manfred, St. Christopher, or Queen Victoria?"

"I'm Don Juan!" Amory shouted on impulse, raising his voice above the noise of the rain and lie wind.

A delighted shriek came from the haystack.

"I know who you are—you're the blond boy that likes 'Ulalume'—I recognize your voice."

"How do I get up ? " he cried from the foot of the haystack, whither he had arrived, dripping wet. A head appeared over the edge—it was so dark that Amory could just make out a patch of damp hair and two eyes that gleamed like a cat's.

"Run back!" came the voice, "and jump and I'll catch your hand—no, not there—on the other side."

He followed directions and as he sprawled up the side, knee-deep in hay, a small, white hand reached out, gripped his, and helped him onto the top.

"I have just made a great decision," said Eleanor after another pause, "and that is why I'm here, to answer another of your questions. I have just decided that I don't believe in immortality."

"Really! how banal!"

"Frightfully so," she answered, "but depressing with a stale, sickly depression, nevertheless. I came out here to get wet—like a wet hen; wet hens always have great clarity of mind," she concluded.

"Go on," Amory said politely.

"Well—I'm not afraid of the dark, so I put on my slicker and rubber boots and came out. You see I was always afraid, before, to say I didn't believe in God— because the lightning might strike me—but here I am and it hasn't, of course, but the main point is that this time I wasn't any more afraid of it than I had been when I was a Christian Scientist, like I was last year. So now I know I'm a materialist and I was fraternizing with the hay when you came out and stood by the Woods, scared to death."

"Why, you little wretch—" cried Amory indignantly. "Scared of what?"

"Yourself!" she shouted, and he jumped. She clapped her hands and laughed. "See—see! Conscience—kill it like me! Eleanor Savage, materiologist—no jumping, no starting, come early "

"But I have to have a soul," he objected. "I can't be rational—and I won't be molecular."

She leaned toward him, her burning eyes never leaving his own and whispered with a sort of romantic finality:
"I thought so, Juan, I feared so—you're sentimental. You're not like me. I'm a romantic little materialist."

"I'm not sentimental—I'm as romantic as you are. The idea, you know, is that the sentimental person thinks things will last—the romantic person has a desperate confidence that they won't." (This was an ancient distinction of Amory's.)

"Epigrams. I'm going home," she said sadly. "Let's get off the haystack and walk to the cross-roads."

They slowly descended from their perch. She would not let him help her down and motioning him away arrived in a graceful lump in the soft mud where she sat for an instant, laughing at herself.

Snow Day

We have a snow day today, which is lovely. So far this semester we've had quite a bit of snow but we've only had late-start days, which are annoying on account of then no one can remember when classes start and end and so on. Everything runs late and bumps into whatever else you have to do: in my case, doctor's appointments and church. All the people with children, and we have quite a few students with children, have their difficulties multiplied as their children's school will have a snow day when we have a late start day and so on. You can imagine the chaos.

I am enjoying mine by drinking many cups of tea and working on the conference paper and the senior thesis and memorizing the first seven lines of the Iliad.

μῆνιν ἄειδε θεὰ Πηληϊάδεω Ἀχιλῆος
οὐλομένην, ἣ μυρί᾽ Ἀχαιοῖς ἄλγε᾽ ἔθηκε,
πολλὰς δ᾽ ἰφθίμους ψυχὰς Ἄϊδι προΐαψεν
ἡρώων, αὐτοὺς δὲ ἑλώρια τεῦχε κύνεσσιν
οἰωνοῖσί τε πᾶσι, Διὸς δ᾽ ἐτελείετο βουλή,
ἐξ οὗ δὴ τὰ πρῶτα διαστήτην ἐρίσαντε
Ἀτρεΐδης τε ἄναξ ἀνδρῶν καὶ δῖος Ἀχιλλεύς.*

(I'm really surprised it stayed in Greek)

As of Friday, I will already be a quarter of the way through the semester. I can hardly believe it. Soon it will be spring break and I'll get to drag out the sundresses from under the bed. By the time spring break comes, I'll be waiting for acceptance/rejection letters from grad schools. I will have finished my thesis and be preparing a presentation form of it. I'll be waiting to hear from two other conferences.

Thinking about this is nice but then my mind pops back to today and I think, how will I ever squeeze out enough time to do all that? It's a good question. I can't even find the energy or concentration to clean up the house.

Then again I can think back five weeks and remember how overwhelmed I was at the mere idea of going to school. I was sure I'd give up in the second week. I was very down from having been at my parents and couldn't keep up with some extremely basic things, too embarrassing to detail here. Now I am at least more or less on top of the day to day homework and I look presentable on a daily basis, something I would not have been able to forsee myself doing. Perhaps I'm in the same boat now, unable to see how I will do what I need to do but about to do it all the same.

I hope so.



*copied and pasted from the Perseus Project

Never again would birdsong be the same

I’ve been reading a rather interesting book: Mad, Bad and Sad, which was written by Lisa Appignanesi. The book is concerned with the evolution of psychology as a science and its relationship to women and vice versa. I haven’t finished it yet, so I can make no comment on the book as a whole but I was enchanted to learn that Virginia Woolf complained of hearing “birds singing Greek choruses, King Edward using foul language in the garden.”

I’m not so sure about King Edward (VII presumably?) but I really like the thought of hearing the birds singing Greek choruses. Obviously, that would be one thing if they were singing the Orestaia, but quite another if they were singing the chorus introducing Phaedra or the one about longing for escape from Hippolytus. I think that I would find those ones quite comforting.

But then perhaps I am a little odd in that.

(732-751)
Would that I were hid within the hollows of a mountain,
there would a god fledge me into a bird
among the winged flocks:
that I might soar over
the sea waves
of the Adrian shore
and over the waters of Eridanos,
where in the dark-gleaming swell
wretched maidens,
lamenting Phaeton,
let tears fall
from bright amber eyes.

That I might reach journey’s end at the apple-planted shore
of the Hesperides, the singers, where the sea lord
of the red-dark shallows
gives no farther passage to sailors,
where strikes the awful boundary
of the firmament, which Atlas holds:
and divine springs flow
by the place Zeus lay,
where, bestowing gifts,
most sacred Earth
increases the blessings of the gods.

(121-140)
There is a rock that drips, they say, with Ocean’s water,
where water is drawn up in pitchers
from its flowing cliffs:
there was a friend of mine soaking
russet robes
in the pure waters of the river,
stretching them across the warm backs
of the rocks in the kind sun: here
came first to me news of my mistress;

keeping her distressed body upon a bed of sickness
inside the house, fine cloth
covering her golden head:
I hear that it is now three days
that her mouth is unfed
and from Demeter’s
grain she has kept her pure body,
wishing, from a secret suffering,
to run aground at the terrible shore of death.

own translation